Monday, February 2, 2026

Cadillac's First Tail Fins: 1948-1949

This 1948 Cadillac 62 Convertible car-for-sale photo was used in another post, provoking me to think about those famous, initial tail fins.  They were A Big Deal when they appeared.  A seriously different fender feature.

I was in elementary school then.  Aware of cars and brands, but unsophisticated.  I remember being impressed by a green fastback '48 or '49 Cadillac owned by a doctor who lived up the street from us.  And I recall the add-on tail fins one could buy at an auto parts store for attaching onto one's non-Cadillac. 

Those Cadillac tail fins proved to be a marketing success, even though some important folks in management didn't like what they saw on styling models.  On the other hand, reports I've read suggest that the stylists themselves liked the fins concept since the prewar days when some were taken to the nearby Army Air Corps Selfridge Field to view new P-38 fighters with twin vertical stabilizers.

The Book "Cadillacs of the Forties" by Roy A. Schneider (1976) mentions (p.124) some visual advantages claimed for the tail fins:

"Technically, raising the height or ends of the rear fenders had the visual effect of lowering the upper portion of the body.  Another advantage incumbent to the finned fender was a car that looked longer in  front three-quarter view.  This was true because the full rear fender stayed in sight from any viewing position.  Cars with traditional rear fenders that curved inward toward the rear bumper appeared shorter than they actually were because the lines of the rear fenders tended to fade away when viewed from frontal angles."

I don't buy the cases Schneider makes, though they make logical sense.  In the first place, those early Caddy fins were too small, too short to make the rest of the car seem lower.  Note that their tops were well below of the car's beltline.  Later, larger, higher tail fins could perform that visual trick to a some degree.  As for the other point, one viewing a car from a front quarter, body length is a lesser consideration than front end design.  Length is best appreciated from side-views, where 1948-49 tail fins made the designs slightly shorter visually because they halt the eye as it sweeps from front to rear.

I suppose my problem with early Cadillac tail fins is that they strike me as being too small.  They seem oddly insignificant.  A visual "So what?"  No doubt the profusion of much larger fins, especially on Chrysler Corporation cars starting in 1957, altered my perspective on the matter.

Why were they so successful from a marketing/branding standpoint?  Placing those fins on Cadillacs, GM's luxury/prestige brand, conveyed prestige to the design.  I wonder how they would have been accepted by the car-buying public if they were first given to, say, Pontiacs.

Let's take a further look at fins on various other 1948-49 Cadillac body types.

Gallery

1949 Cadillac 60 Special 4-door sedan - Mecum Auctions photos
Sixty-Specials had longer wheelbases than basic Cadillacs.  On these larger bodies, the fins seem more insignificant.

Here they appear odd.  What are they doing there?

1948 Cadillac 62 4-door sedan - car-for-sale photos
This is the basic 1948 Cadillac.  The trunk profile curves downward enough that the fin acquires a small degree of dominance in side-view.

The chrome strips below the tail lights were found only on 1948 Cadillac model 62s.

1948 Cadillac 62 Club Coupe - RM Sotheby's Auctions photos
Now for the fastback design.

The tail fins seem to work a bit better here because the simplicity of the rest of the rear sets them off, giving them more prominence than otherwise.

1949 Cadillac 62 Coupe de Ville - car-for-sale photos
A high, more squared-off trunk lid offering more capacity was introduced during the 1949 model year.

The tail fins also seem to work better on hardtop coupes than on four-door sedans.  But their perky shape still strikes me as being a bit silly.

Thursday, January 29, 2026

Volvo's 1935 Chrysler Airflow-like PV36 Carioca


As I mentioned here in my post "Airflow and its Variations in 1936," an Airflow "look-similar" was the Volvo PV36 Carioca.  One is shown in the evocative photo above.

The nickname "Carioca" is Brazilian, not Swedish -- a mid-1930s thing noted in the Wikipedia link.

A more detailed account is here.  It mentions that "The design was heavily based on streamline styling from American vehicles.  How many influences the Swedish designer Ivan Örnberg brought back home from his former employer Hupmobile in Detroit in 1933 can only be guessed.  In any case, there are various optical parallels, for example to the Chrysler Airflow."

Clearly, Airflow influence was strong.  I see little 1934 Hupmobile influence aside from the very rear.  One  important Airflow detail was placement of the passenger compartment between the axle lines, with the motor mounted more forward than conventional at the time.  Side views of the Carioca suggest that it followed Chrysler practice.  Its body was "all steel" (aside from the fabric roof insert), but probably not quasi-unitized in Airflow fashion.

Gallery

1935 Volvo PV36 Carioca - factory photo
Likely a prototype or early production model.  The slightly raised grille and hood front is more conventional than the strongly rounded (and much criticized) early Airflow front ends.  Basically a decent, tidy design for its time.

1935 Volvo PV36 Carioca - factory photo
Publicity or advertising image.

Volvo PV36 Carioca - via Top Gear
The grille and body shaping above the headlights is different from that show in the top photos.  Perhaps this is later than a 1935 model.

The decoration on the rear wheel spats is similar to that on Chrysler Airflows.  However, that sort of thing was also found on other 1930s cars such as Nashes and Peugeots.

Volvo PV36 Carioca - Bilweb Auctions photos
Same car as on the previous images, but in a different setting.

Rear quarter view.  Compare to the Hupmobile in the following image.

1934 Hupmobile 421 - image via Automobile Quarterly, Vol. 16 No. 1
As mentioned above, Carioca's rear resembles this Hupp more than it does a '34 Airflow.  CU Airflow sedans lacked trunk lids, and the spare tire was not sunk into the aft sheet metal.

Volvo PV36 Carioca - via classicandsportscar.com
Again, a slightly different grille design.  License plate appears to be British.

Volvo PV36 Carioca - unknown photo source
Probably the same car as in the previous photo.  Compare its profile to the Airflow below.

1934 DeSoto Airflow - car-for-sale photo
Shown here is a DeSoto Airflow whose wheelbase (115.5 inches, 2934  mm) is closer than Chrysler's to that of the Carioca (116.1 inches, 2950 mm), making for a reasonable comparison.  The Carioca is a 4-window car, the Airflow has 6 windows.  Having fewer windows, the Carioca's aft profile curve is less abrupt than the DeSotos'.  Door hinging is reversed: "suicide" front on Carioca, rear on Airflow.  Airflows got some production cost savings by having major parts of door shapes reversed.  Note the symmetrical (but flipped) side window shapes.  The left front door and right rear door would used the same window shape tooling, ditto the right front door and left rear door.  Carioca seems to have done the same with respect to windows.

Monday, January 26, 2026

Oldsmobile Grille Evolution: 1946-1957

From time to time I post about grille/front-end design changes over many years -- years that span two or more body redesigns.  For example, I wrote about Pontiac 1935-1956 Silver Streaks here, DeSoto's 1940-1961 grilles here, and 1947-1955 Plymouth grilles here.

This post features an Oldsmobile grille theme that lasted 1946-1957.  I include grilles preceding and following that era to provide a little context for the theme.

Olds grilles in those years were simple in concept, framing being roughly semi- or completely oval -- deviations should be obvious in the images below.

Gallery

1942 Oldsmobile 76 Business Coupe - car-for-sale photo
I wrote about "The 1942 Oldsmobile's Complicated Grille" here.

1946 Oldsmobile 98 4-door sedan - car-for-sale photo
That grille design was abandoned when car production resumed after World War 2.  Framing might be characterized as "a flattened half oval, side and ends."  This simple design theme evolved over the next 11 model years.

1947 Oldsmobile 78 4-door sedan - car-for-sale photo
The design was only slightly changed for 1947.

1948 Oldsmobile Futuramic 98 Convertible - Mecum Auctions photo
Top-of-the-line Olds Ninety-Eights got General Motors' new, postwar C-bodies for 1948.  The grille is simplified, and more oval if the "whisker" extensions of the upper frame are disregarded.

1949 Oldsmobile 76 2-door sedan - GAA Auctions photo
Lesser Olds' were redesigned the following model year and inherited the grille of the previous image.

1950 Oldsmobile 88 Holiday Coupe - Mecum
Same design as for 1949, though Olds Ninety Eights had slightly different front bumpers.

1951 Oldsmobile Super 88 Holiday Coupe - car-for-sale photo
Framing reverts to 1946-47 style, along with a new for '51 body design..

1952 Oldsmobile Super 88 Convertible - car-for-sale photo
And essentially continues for '52.

1953 Oldsmobile 98 Holiday Coupe - Daniel Schmitt photo
Final year for pre-1954 bodies.  Note the oval decorations on the bumper guards.

1954 Oldsmobile Super 88 Holiday Coupe - car-for-sale photo
For '54 Olds got General Motors' new "futuristic" bodies with panoramic/wraparound windshields.  For brand continuity purposes, carryover items included grille framing and those oval bumper guards.

1955 Oldsmobile 98 Holiday Coupe - car-for-sale photo
Major frontal facelift for 1955.  The grille opening is oval, as are the bumper guard caps.

1956 Oldsmobile Super 88 Holiday Sedan - car-for-sale photo
Another facelift.  Grille opening is nearly oval, but bumper guards and their ovals are missing.

1957 Oldsmobile Super 88 Convertible - Mecum
Redesigned body, but the oval grill shape is retained.

1958 Oldsmobile 98 4-door sedan - car-for-sale photo
All that is gone on 1958 Oldsmobiles.

Thursday, January 22, 2026

Audi Mk.1 TT: Bauhaus Style


Pictured above is a 2001 Audi TT Roadster.  TTs were built 1999-2023, according to its Wikipedia entry.  It notes that there were three Marks or generations of the model.  Technological improvements aside, I prefer the initial 1999-2006 version for its design.

I prefer its design not because of its beauty -- the design is not beautiful, in my opinion.  I find the design interesting.

It interests me because it harkens to Germany's philosophically functionalist Bauhaus arts school that operated during the Weimar Republic years following the Great War.

Note the round wheel openings and how the profile of the car echoes those curves front and rear while the ends are linked by a simple, nearly straight fenderline.  Very functional, mechanical, in spirit.  Not exciting, as is true of many "functional" designs.  But attractive in its way.  Too bad I never owned one.

The TTs design is credited to Freeman Thomas.

All images in this post are via BaT Auctions.

Gallery

2000 Audi TT Coupe
The front end is Bauhaus-like as well.  Note how it is in three clearly-defined segments (yes, only two are visible from the camera angle).

The Coupe's roofline is also functional, but from an aerodynamic -- not mechanical -- perspective, unlike the lower body.

The three-segment motif continues at the rear.  Tail light and headlight assemblies have very similar shapes.

2001 Audi TT Roadster
Better view of those front-end segments.  Note how the hood cutline flows over the wheel opening structure.

The door cuts into the rocker panel.  Brutally functional.

Exhaust pipes emerge in the center segment, another disciplined touch.

Monday, January 19, 2026

American Four-Door Hardtops: The First and The Last

Apologies to the late General Adolf Galland for borrowing the English title of his autobiography for part of this post's title.

Two-door "hardtop convertible" or "hardtop coupe" bodies with B-pillars truncated at the beltline entered mass-production on some 1949 model year Oldsmobiles, Buicks and Cadillacs.  Four-door versions appeared on 1955 Oldsmobiles and B-body Buicks.  These were soon followed by 4-door hardtop sedans from other General Motors brands as well as from Ford Motor Company, Chrysler Corporation and (briefly) American Motors.

Federal regulations regarding rollover integrity in the early 1970s ended hardtops due to their lack of a B-pillar extending up to the roof framing.  The last American hardtops, 2-door and 4-door, appeared on 1978 Dodge Monacos and all Chrysler Newports and New Yorkers.

Some first-and-last examples are pictured below.

Gallery

1953 Cadillac Orleans Concept Car - General Motors photos
GM was testing the hardtop sedan body type on this Motorama show car.  Also panoramic windshields on cars with fixed tops.  (Convertibles with wraparound windshields were offered for 1953, as my post "1953 Oldsmobile Fiesta and Cousins" describes.)

The Orleans had absolutely no B-pillar.  Doors were hinged on the A and C pillars with latches down low on the frame.

1955 Buick Century Riviera Sedan - BaT Auctions photos
The first GM production hardtop sedans were on 1955 B-body cars such as this Buick Century.

The forward side window area included a Ventipane.  Rear door windows were once-piece for nearly all hardtop sedans ever built -- with an exception pictured a ways below.

Note the fashionable three-tone paint scheme.

1955 Oldsmonile Ninety-Eight Holiday Sedan - car-for-sale photos
Buick and Oldsmobile 88 hardtop sedans had 122-inch (3099 mm) wheelbases.  Olds Ninety-Eights such as show here had 124-inch (3150 mm) wheelbases.  The result was a better proportioned design.



1956 DeSoto Firedome Seville hardtop sedan - BaT Auctions
Chrysler Corporation redesigned its line for 1957, so its '56 hardtop sedans were the result of what appeared to be a crash project.  Note the awkward-retraction rear door window.  My family owned such a DeSoto because I pestered my father into ordering it rather than a conventional sedan.  In retrospect, I was wrong, the sedan being more practical.

1978 Chrysler New Yorker Brougham hardtop sedan - BaT Auctions
The end of the line.