Monday, April 22, 2024

Futuristic 1954 Oldsmobiles, Buicks and Their Chrysler Corporation Competitors

American automobile model year 1955 saw the greatest sales volume in history to that date.  Much of what sparked that sales surge was the announcement of redesigned (Chrysler Corporation, General Motors' Chevrolet and Pontiac) or massively facelifted (Ford, Mercury, Nash, Packard, Studebaker) cars, all featuring various kinds of panoramic (wraparound) windshields.

It was GM that launched wraparounds in what proved to be, not the wave of the future, but a fad or fashion whose welcome was passing by 1960.  That launch was for 1954 when Oldsmobiles, Buicks and Cadillacs got new bodies.

Those new GM cars seemed sensationally futuristic at the time.  Besides the panoramic windshields that had been previewed by "dream cars," those new designs featured low hoods, long trunks and proportionally higher passenger compartment greenhouses on those overall lower (than 1953) cars.  Of course, those new designs were popular.  Compared to the 1953 calendar year, calendar year 1954 sales for Oldsmobile, Buick and Cadillac respectively increased 36, 10, and 20 percent, while most other brands showed declines.  Overall 1954 American car sales fell 10 percent from 1953.  Ford and Chevrolet sales were fairly constant over the two years.

Suffering the most were the "independent" (non- Big Three) brands.  But Big Three member Chrysler Corporation's brands also experienced serious sales declines.  An important reason was their seemingly out-of-date styling.  I wrote about their '54 facelifts here.

Decline percentages for Chrysler brands were: 40 for entry-level Plymouth, the firm's highest-production line; 48 for Dodge, another normally high-volume car; 46 percent for DeSoto; and 37 percent for Chrysler.

In the Gallery below 1954 Oldsmobile and Buick four-door sedans are compared to Chrysler Corporation models with similar list prices.  This is an attempt to show the designs the typical buyer faced if considering sedans in those price categories.  Clearly, the GM cars sold well and Chrysler's didn't.  But were those GM designs actually better than those of competing Chrysler products?  From the perspective of 70 years later, the matter is not so clear.

Gallery

1954 Oldsmobile 88 - car-for-sale photo
The best-looking GM designs were on sporty hardtop coupes, but as mentioned above, sedans were generally the go-to models in those days.  (Buick was a 1954 exception where its hardtops often outsold 4-door models.)

1954 Buick Special - car-for-sale photo
GM Styling supremo Harley Earl usually favored high hoodlines suggestive of a powerful motor underneath.  But his 1954-1955 redesigned cars had high fenderlines and hoods not raised far above them.  As mentioned in the text, the key styling feature was the wraparound windshield.

1954 Dodge Coronet - unknown photo source
The competing Chrysler Corporation car.  Slightly smaller than the new GM B-body competition.  More rounded sides.  But there's that old-fashioned windshield.

1954 Oldsmobile Super 88 - RM Sotheby's photo
GM's more upscale B-body cars were almost identical to the entry-level ones so far as exteriors are concerned.

1954 Buick Century - Hessney Auctions photo
Buick's Century was basically a Special with a more powerful engine.

1954 Chrysler Windsor - car-for-sale photo
However, prices were high enough to yield their competition from Dodge to the Chrysler's lower-price Windsor line that had a different basic body.

1954 Buick Super - Saratoga Motorcar Auctions photo
Buick Supers and Roadmaster had GM's new C-bodies.  A-pillars are vertical, unlike the slanted B-body ones.  Hoods here are more raised and fenderlines slightly lower.

1954 DeSoto Firedome - car-for-sale photo
The competing Chrysler Corporation body is similar to GM's 1948-vintage C-bodies and 1949-1954 A-bodies mostly found on Chevrolets and Pontiacs.  The main similarity being the separate rear fender, a feature also seen on 1954 Packards.  The DeSoto's hood is high: Harley Earl would have been pleased.  These and some other style elements had been found on the road for several years, making DeSotos and Chryslers seem dated compared to the new GM cars.

1954 Buick Roadmaster - unknown photo source
Top-of-the-line Buick.

1954 Chrysler New Yorker - unknown photo source
Top of the standard Chrysler line (Chrysler Imperials were the firm's luxury line and priced much higher than the Buick).

Back in 1954, the Oldsmobiles and Buicks pictured here indeed seemed like glimpses into the future, and the Chrysler Corporation cars looked out of date.  Yet now those GM sedans strike me as looking more awkward than the Chrysler cars.  Why?  I think it has to do with the panoramic windshields.  They are bulky.  Their vertical and forward-slanting A-pillars interrupt the front-to rear design flow.  For that reason, Chrysler Corporation's redesigned 1955 cars with back-slanting A-pillars have aged better than competing models with GM-style wraparounds.

Thursday, April 18, 2024

Towards the Last Chrysler Airflows: Rear Body Design

As is well-known to automobile history buffs, the Chrysler Airflow was an engineering innovation success, yet also a styling and marketing failure.

Once Chrysler Corporation management realized that sales were far below expectations, a crash-project was started to make Chrysler and DeSoto Airflows appear more conventional.  This included redesigned grilles (I wrote about DeSoto Airflow grille evolution here).  Today's post deals with aft end treatments -- specifically the addition of integral trunks.

Gallery

1934 Chrysler CU Airflow Sedan - RM Sotheby's auction photos
Establishment photo of the best-selling 1934 Airflow model.

Trunk access was via the interior, there being no exterior lid.  Also, trunk capacity was limited.  That was typical of the times: for added space, exterior trunks were optional on a number of current, non-streamlined designs.

1935 Chrysler CZ Airstream Sedan - Hyman Ltd. photo
By the mid-1930s integral trunks became an optional body variation such as seen on this Chrysler Airstream.

1936 Chrysler Airstream Sedan - car-for-sale photo
The Airstream's next restyling resulted in a trunk further integrated into the basic body.

1937 Chrysler Royal Sedan - car-for-sale photo
The 1937 non-Airflow version.

1936 Chrysler C9 Airflow Sedan - car-for-sale photo
Airflows for 1935 retained the 1934 rear design.  But for 1936, integral trunks were added, the design being essentially that used on Airstreams.  The styling goal seems to have been to make Airflows as similar to mainline Chryslers as possible.

1937 Chrysler C17 Airflow Sedan - car-for-sale photo
The final-year Airflow aft end was unchanged from 1936.

Side-view comparison: the 1934 CU Airflow shown earlier.

1936 Chrysler C10 Imperial Airflow Sedan - RM Sotheby's Auctions photo
This car has a slightly longer wheelbase than the CU in the previous photo, but that affects an aft body design profile comparison only a little.

Monday, April 15, 2024

Datsun 240Z Walkaround

Back in 2015 I posted about the Datsun 240Z and stated:

"It was the sensation of late-1969. The Nissan S30 model, known as the Datsun 240Z in the the USA, triggered an intense "I gotta have one" reaction for those of us in a sports car frame of mind.  Sadly for me, 240Zs were priced a bit higher than I felt I could afford, so I settled on a Porsche 914 in 1971.  But I really, really wanted a Z."

Besides what I wrote in that post, here is more background on the car.

Now that there are more and more comprehensive photo sets about cars listed for sale on the Internet, it's a good time for a walkaround post dealing with the Z.  Photos below of a 1970 Datsun 240Z are from Bring a Trailer Auctions.

Gallery

The grille is a simple extension of the hood.

No flabby lines.

Nice, long hood.  The driver's seat is close to the rear axle line.  Flowing fenderline with a straight character line crease below it: interesting contrast that helps transition to the lower body edge.

The rear panel area is functional.  Its details are not related to the nearby design.  Given the strong shape/color contrast to the surroundings, that doesn't matter as much as it otherwise might.

A hatchback, not a trunk lid.

Again, note the character fold on the side.

No kiddie seat behind the driver, so that fastback curve begins right behind his head.  This adds to the crisp design appearance.

A good design with no memorable features.  It requires being taken as a whole.

Dashboard with sunken instruments.

Thursday, April 11, 2024

1941 Cadillac Sixty Special Walkaround

When writing about a design I usually focus on the model year of first appearance.  That's because stylists usually believe that is when the design is its most pure form, before facelifts to "freshen" appearance for model year marketing purposes usually add clutter or apply trim that's less in keeping with the basic design.

This is no longer much of an issue because annual model year facelifts ended in the USA many years ago.  But it matters when dealing with cars built during annual facelift times.  (Of course, designs are still occasionally facelifted partway into an extensive multi-year production run, so my policy usually continues for some recent designs.)

Today's post features the 1941 Cadillac Sixty Special sedan, its basic body having been launched for the 1938 model year -- 1938-1941 Sixty Special's  Wikipedia segment here.  As noted, the '38 Sixty Special was styled by William L. (Bill) Mitchell (1917-1988), Wikipedia entry here, early in his career at General Motors.  He eventually became head of GM styling.

The 1941 design is of interest because it included features of '41 Cadillacs using bodies new for 1940 and 1941 while being based on the fourth model year of the original Sixty Special design.  In addition, it featured front fenders that extended onto the front doors, something GM introduced across nearly all of its product line for 1942.

Finally, I need to note that the 1941 Sixty Special was, on balance, more attractive than the original 1938 version.  That's because '41 Cadillacs had an outstanding grille design.

The photo of the 1938 Sixty Special is via Worldwide Auctioneers.  The 1941 Sixty Special photos are via Mecum Auctions.

Gallery

A 1938 Cadillac Sixty Special.  Its signature feature is the shaping of the side windows and their chrome trim.  The smoothly integrated trunk was an advanced feature at the time.  The grille is bold, but not especially distinctive.  Those detached headlight pods were old-fashion for 1938.

1940 Sixty Specials were little changed from 1938 aside from a reshaped grille.  The 1941 facelift was entirely new forward of the cowling and A-pillar.  The very front is the same as that found on the new B-body Cadillac model 63.  The Sixty Special has a longer hood, though its side air vent has similar detailing to that of the 63.

While the '38 car's front fenders are of the "suitcase" type, the '41 fender is moreso.  Seen from the side, the front third of the car strikes me as being a little too heavy looking, due mostly to the fender shape.

As mentioned, the after part of the design is nearly that of the 1938 original.

This rear view makes the car seem old fashioned compared to newer American designs: too tall, too narrow looking.


Upper front door hinging is the same as on the 1938 car.

Frontal heaviness is apparent here too.  I think it's the high after part of the fender.

Ah, but the front.  It has the classic 1941 Cadillac grille.

Monday, April 8, 2024

Seriously Long 1975-Vintage Chrysler/Imperial Coupes

Aside from eight-passenger sedans and limousines, the 1974-generation Imperials and Chrysler New Yorkers were the longest found on those marques.  Wheelbases and lengths were considerably reduced for the next redesign.

Imperial wheelbases were a not-excessive 124 inches (3150 mm) for 1974 and 1975.  Lengths for respective years were 231.1 inches (5870 mm) and 232.7 inches (5911 mm).  The latter being the same for the 1974-1978 generation New Yorkers, which also had 124-inch wheelbases.  The length relative to wheelbase was due to large overhang, 108.7 inches (2791 mm) -- 47 percent of that overall length.

The Imperial brand was dropped for model year 1976 and reinstated 1981-83.  In part because Imperials and New Yorkers shared the same basic bodies, 1976-78 New Yorkers received important styling details from the 1974-75 Imperials.  I suppose that was intended to enhance New Yorkers' prestige, making them replacement Imperials.

Gallery

1974 Chrysler New Yorker Brougham coupe - car-for-sale photo
This is the fancy coupe version with the fashionable vinyl top covering.  Some consider this a hardtop coupe due to its apparently thin, chromed B-pillar.  However, the after side windows are fixed in place, whereas true hardtop convertible side windows all can be rolled down.  Moreover, the chrome strip is slightly narrower than the actual B-pillar, making the latter seem narrower than actuality.

1975 Chrysler New Yorker Brougham St Regis Coupe - car-for-sale photo
The St. Regis trim package on New Yorker and Imperial coupes featured what seems to be padded vinyl covering that reduced the after side windows to opera-window status.  Compare this front end to that of the '75 Imperial in the next image.  New Yorkers for 1976 got that Imperial front end styling. 

1975 Imperial LaBaron Coupe - BaT Auctions photo
Besides different front ends, Imperials lacked the New Yorker's metal cladding along the lower edge of the body.

1978 Chrysler New Yorker Brougham St Regis Coupe - car-for-sale photos
As mentioned, starting with the 1976 model year, Chrysler News Yorkers looked like Imperials would have, had the Imperial brand not been dropped from Chrysler's lineup.

The Old Switcheroo with respect to vinyl tops was that the after part of the passenger compartment greenhouse lacked vinyl.  General Motors and Ford cars with partial vinyl cladding had the cladding abaft of the B-pillar.

Disregarding the vinyl, the design is attractive.  Body length helps the effect -- when viewed on small Internet images.  Facing an actual car, its large size would likely have been more noticeable than its visual grace.

1978 Chrysler New Yorker Brougham Coupe - BaT Auctions
A vinyl-free New Yorker coupe.  The C-pillar area is large, creating visual bulk that the side striping does little to cure.  Note the two-tone paint zone along the lower part of the body.  This replaced the cladding seen on the 1974 and 1975 New Yorkers in the first two images.

Thursday, April 4, 2024

1965 (Rambler) and 1967 (AMC) Marlin


American Motors Corporation's 1965 Marlin (Wikipedia entry here) might have been a sucessful early follow-on to Ford's epic Mustang that was launched in the Spring of 1964.

The problem with the Marlin was its size.  AMC had two platforms available when the Marlin was developed.  The Rambler American was closer to the Mustang's size than the larger Rambler Classic, and in retrospect it would have been the better choice.  (The decision was made before the Mustang appeared, so perhaps its design and certainly its smash-hit popularity were not known to AMC at the time.)  The Ramble Classic platform made the Marlin a six-passenger-size rather than a true four-passenger car, clearly pushing it away from the emerging "pony-car" market segment.

I should note that when Marlins were new, I too thought they seemed too bulky, not really sporty.

Marlins were redesigned for the 1967 model year, being based on the even-larger new Ambassador platform.  Now it was essentially an attractive standard-size coupe, a placeholder for the much more successful Javelin that appeared for 1968.

Marlins never sold well, probably losing money for AMC.

Gallery

1964 Rambler Classic - Mecum Auctions photo
The basis for the initial Marlin.

1965 Rambler Marlin - car-for-sale photo
The door shape and A-pillar zone are those of the Rambler Classic, but the rest of the cladding is different.  Side-view Marlin features are the (slightly too-high) fastback, the aft side window shape, and the dab of two-tone paint framing those windows.

1968 AMC Ambassador - unknown source
The 1967 Ambassador, platform source for the '67 Marlin, was identical to this '68 model shown here, aside from the two side reflectors.

1967 AMC Marlin - BaT Auctions photo
For 1967 the "Rambler" tag was replaced by "AMC."  The fastback profile is more pleasing that the Classic-based design.  Plus, that fussy two-tone aft window framing is gone.

1965 Rambler Marlin - car-for-sale photo
The width of the passenger compartment is clear in this view.  Bulky-looking.

1967 AMC Marlin - BaT
Ambassadors were even wider than Rambler Classics, but the added width was mostly in the fenderline "shoulders."  The result was reduced visual bulkiness of the passenger compartment greenhouse.  Frontal styling was also improved,

1965 Rambler Marlin - car-for-sale photo
Another signature Marlin feature is the two-tone segment flowing downstream from the backlight window.

1967 AMC Marlin - car-for-sale photo
That was retained in the 1967 redesign.  Note the rear fender tips and taillight assemblies that seem to be carryovers from the previous design.  AMC stylists had to work with tighter budgets than those in Big Three carmakers, so it's possible that some tooling was reused here.