Thursday, August 1, 2019

C-Pillar Black Divider Swath Fad

Some of the library books about industrial design from the 1930s that I read when I was young seemed to go along with the contemporary Architecture ideology that designers should strive for functional, truth-to-materials purity in their creations.   No doubt there were car designers in the USA and, more likely Europe (due to the Bauhaus influence), who pursued such ideals.  But the men in charge of styling departments knew that a major function of a car's design was to sell in appropriate numbers.  And to do that, a certain amount of attention to fashion had to be paid.

To be in step with fashion means that popular features introduced by a competitor might be borrowed to appease potential buyers who value being au courant.  I myself was caught up with that when I was in my teens.  If a car maker wasn't offering four-door hardtop convertibles or the correct type of wraparound windshields, then I would urge my father to not consider those products.

Nowadays when wind tunnel tests largely determine overall body shapes, exterior stylists are reduced to coming up with distinctive cladding features to differentiate brands and models.  Usually this takes the form of sheet metal sculpting and angular front and rear detailing elements.

A recent fad is for black patches or swaths, sometimes with chromed edges, placed on cars' C-pillars as a kind of faux (non-structural) division between the roof and the lower body of the vehicle.  Even though I left the Church of Functionality decades ago, this latest styling touch strikes me as being utterly phony: an important line has been crossed.

Below are some examples.

Gallery

1953 Packard Balboa Concept Car
Here we see a sculpted element at the base the C-pillar that clearly separates the passenger compartment roof from the lower body.  Because it is sculpted, it gives the appearance of being structural, and therefore is "believable."

2017 Chevrolet Bolt
The recent separators of roofs and lower bodies are clearly cosmetic.  The Bolt's separator conflicts with the rest of the styling and adds visual clutter.  The car would look nicer without it.

2018 GMC Terrain
I couldn't locate a factory photo that clearly illustrates the Terrain's divider.  But you might be able to see that it, along with strongly tinted side windows, hints at being wraparound rear windows.
UPDATE:
It wasn't visible in the photos I consulted, but it turns out that in that C-pillar black zone there lies a very small window intended for passengers in third-row seats.

2018 Honda Odyssey
No chromed edges here.  Just a clearly tacked-on element that clashes with the aft side window and actual shape of the C-pillar.

2018 Lexus RX L
Lexuses have featured extreme angularity in recent model years.  Here the black swath gives the C-pillar a wedged shape that it lacks in reality.

2019 Nissan Altima
This black element is comparatively discrete and almost yields a coherent theme.  Some work is needed where it touches the side window.

2 comments:

Unknown said...

Besides the faddish C-pillars, the other issue with the cars used as examples is, as you've mentioned before, the amount of over-styling. The creases, swoops, flares and ridiculous head/tail lamp styles are getting to that tipping point car styling reached in the late '50's.

nlpnt said...

There was an intermediate phase of the fad in the late '60s through the early '80s with grilles at the base of the C-pillar. Usually these were functional, being extractors for the flow-through ventilation system.